Sensory Objects awarded AHRC grant for start up enterprise purpleSTARS

purpleSTARS LogopurpleSTARS is our new start up enterprise funded for one year by the Arts and Humanities Research Council (AHRC) it is a follow on fund project. The Sensory Objects Enterprise 2017-2018 grant aims to create opportunities for artists and technologists with and without learning disabilities working as a team with museums. STARS stands for Sensory Technology Art Resource Specialists we choose the colour purple as the colour has started to refer to the Purple Pound, purple has come to represent people with a disability.

During 2017-18 purpleSTARS LogopurpleSTARS  advisory group will develop the enterprise by running a series of pilot projects. At the British MuseumpurpleSTARS LogopurpleSTARS  are working as part of the Wolfson Project Advisory Group, at the Museum of English Rural Life MERL in Reading, two purpleSTARS LogopurpleSTARS  will work with students from Reading College Learners with Learning Difficulties and Disabilities Dept, developing new sensory objects for the collection, and at the Ragged School Museum London purpleSTARS LogopurpleSTARS will be holding Sensory Expeditions for local SEN Schools.
purpleSTARS LogopurpleSTARS  are developing a new webpage and will launch later in 2018. Below is a picture from the front page of our new website currently under development.

PurpleSTARS-front-Page

PurpleSTARS-front-Page

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Image below shows the Easy Read programme for the first meeting of the purpleSTARS LogopurpleSTARS Advisory Group.

 STARS Tower Project 1update.doc

PurpleSTARS Advisory Group Session one Sept 1st

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sensory Objects co-researchers from the Tower Project agreed to become our purpleSTARS LogopurpleSTARS Advisory Group they will help us form the Sensory Objects Enterprise alongside business advice from EVOLVE Strategic Marketing Consultant Louise Moger.purpleSTARS LogopurpleSTARS Advisory Group:

purpleSTARS LogoJudith Appiah

purpleSTARS LogoTim Elson

purpleSTARS LogoJustin Grimes

purpleSTARS LogoMichael Tapps

purpleSTARS LogoSam Walker

purpleSTARS LogoKelly Woods

The picture below shows the purpleSTARS LogopurpleSTARS Advisory Group during the first meeting at RIX research and media. The group tested a new self assembly  version of the Sensory Labels and discussed the objects and labels they had made for the British Museums Enlightenment Gallery in 2015.

Tim constructs a Sensory Label

Tim constructs a Sensory Label

Sensory Label pig

Testing Sensory Labels pig sound

Michael tests sensory label

Michael tests sensory label

 

 

 

 

 

 

Judith Kelly Justin test card

Judith Kelly Justin test the postcards

 

Advisory group with sensorycards

Advisory group with Sensory Postcards

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

purpleSTARS LogopurpleSTARS Advisory Group also met Becca Doggwiler who is collecting Impact of the Sensory Object project. Becca asked the group to help her design ways of collecting feedback to show the Impact of the project. The picture below shows Becca discussing feedback with the group and an online form they could tell us what they thought of the day.

Becca discussing feedback

Becca discussing feedback with the group

Online feedback questionnaire

Online feedback questionnaire

 

 

 

 

 

 

 

The picture below shows the purpleSTARS LogopurpleSTARS Advisory Group SELFIE after the first session at RIX research & media.

Advisory Group selfie RIX 1st Sept

Advisory Group selfie RIX 1st Sept

 

 

‘From the Outside In’ Commission for Orleans House Gallery

In 2017 Sensory Objects were commissioned to make a box of sensory objects, workshop plans and log book to inspire and discover about art and biomedical science and to gain an Arts Award for Orleans House Gallery 

The pictures below shows the ‘From the Outside In’ box the box has images of different parts of the body in cut out blackboard stickers.

Outside Box 3

Outside Box 3

Outside Box 2 sides feet

Outside Box 2 sides feet

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Outside Box Spine

Outside Box Spine

Taking out top layer

Taking out top layer

Outside Box 3 Spine

Outside Box 3 Spine

 

 

 

 

 

 

 

 

Lid & Bottom Layer of Box

Lid & Bottom Layer of Box

TopLayer of Box

TopLayer of Box

The artworks were developed in response to an interdisciplinary project called ‘From the Outside In’. Through hands on creative activities members of the Octagon Club a weekly club for young people with additional needs aged 11 to 17 and Transitions Art Group young people and adults with disabilities and additional needs aged 18+  worked with artists Morgan Sinton-Hewitt, Anna Dumitriu, Elizabeth Murton and Heather Barnett, Mellissa Fisher, Betsy Lewis-Holmes and science communicator Dr Sarah Bearchell on a project funded by the Wellcome Trust.

Sensory Objects commission was to translate this work into a box of artworks that introduce art and science to children as part of their Key Stage 2 skills at school and to enable them to achieve an Arts Award. In the development/testing stage the artworks have been used in schools workshops including Meadlands School and so far 46 ArtsAwards have been awarded. The box will be launched by Orleans House Gallery in August/ September 2017.

Sensory Objects created a Arts Award log book and a set of workshop plans for facilitators.

ArtsAward Logbook front

ArtsAward Logbook front

LOGBOOK3

LOGBOOK3

 

 

 

 

 

 

 

 

Some of the objects such as the perspex head uses a sound sensor.

There is also a heart that pulses to be used in a workshop with 4 metronomes that can be altered to match the children’s heart beats.

Other works in the box include a felt stomach, put your hand inside the stomach and you can feel the Shibori felted interior made by Octagon and Transitions Group.

Felt Stomach

Felt Stomach

Shibori Felt Glove

Inside Shibori Felt Stomach

 

 

 

 

 

 

 

 

Taking inspiration from Kingston-based photographer Eadweard Muybridge the Octagon and Transitions groups looked at making movements, animation and drawings. The group used double-headed stethoscopes to listen to each other’s heartbeats and drew the sounds they could hear.

Heart stethoscope

Heart stethoscope

Heart Drawings

Heart Drawings

 

 

 

 

 

 

 

 

 

The box contains a rolled chalk board with the outline of a person that children can draw on organs with chalk, and a plaster cast of vegetable/brain made by members of the Octagon and Transitions group. The picture below also shows a drawing from an ArtsAward Log Book inspired by making brain casts from vegetables.

Brain/Veg Cast

Brain/Veg Cast

ArtsAward Brain Drawing

ArtsAward Brain Drawing

 

 

 

 

 

 

 

 

The box also contains an imaginary creature called a Pegasaurus that is the starting point of a workshop where pegs are used to mark the spine, paper was rolled to make a spine, the box also contains a flexible medical spine.

Pegasorus

Pegasaurus

Peg Jumper

Peg Jumper

bendyspine

BendySpine

 

 

 

 

 

 

 

 

 

The box contains a perspex hand inspired by the body as a machine, the picture below shows workshop to create a hand from straws, string and a plastic glove.

Hand Machine Perspex

Hand Machine Perspex

Hand Machine Workshop Item

Hand Machine Workshop Item

 

 

 

 

 

 

 

 

The images below show sheets that are in the box that introduces all the ‘From the Outside In’ artists.

Introduction to From the Outside In page one and two

Introduction to From the Outside In page one and two

Introduction to From the Outside In page three

Introduction to From the Outside In page three

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The images below show the four projects that the Octagon Club and Transitions Art Group worked with the artists.

Image below shows Memory and Movement project sheet,

Memory and Movement

Memory and Movement

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Below Genetics and the Digital Age sheet,

Genetics and the Digital Age

Genetics and the Digital Age

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Image below The Mechanics of the Body sheet,

The Mechanics of the Body From the Outside I

The Mechanics of the Body

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Image below shows Mapping the body sheet.

Mapping the Body From the Outside In Project

Mapping the Body

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Madhouse My House Exhibition feedback.

Read about the Madhouse My House Exhibition on a special wiki website. Click on the Hackney Museum Exhibition Circle to hear feedback from visitors to the exhibition.

Below Hackney Museum curated all the Twitter activity about the Madhouse my House Exhibition into a  Moment.

Below are pictures and comments about the MADHOUSE Exhibition.

Below is a Preview about the exhibition.

review Madhouse My House Feedback

review Madhouse My House Feedback

You can also find out more about the Madhouse My House Exhibition in a report from Wiki Master Ajay Choksi part of the new Living Archive of Learning Disability History.

Below is an image from Twitter the comment from Gustopher Jones said “Great opening….Fascinating and Important…”

wittrPICMadHouseOPENING

TwittrPICMadHouseOPENING

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Below, Access All Areas researchers led a workshop exploring the Madhouse My House Exhibition as part of Museums Wellbeing Week 2017.

Picture below shows members of Access All Areas crumpling up copies of the official Medical Certificate of Mabel Cooper from 1957, that labelled her an Imbecile, ready to throw in the bin that triggers the sound of the Asylum.

 

 

 

 

 

 

 

 

 

 

 

The picture below shows Mabel Coopers Medical Certificate from 1957.

Mabel Cooper Medical Cert

Mabel Cooper Medical Cert

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Picture below Access All Areas lead session for Museum and Heritage professionals.

Picture below Access All Areas lead session for Museum and Heritage professionals, Harvey Waterman told us he remembered being given big brown pills patients were sedated.

 

 

 

 

 

 

 

 

 

 

 

Picture below shows Access All Areas presenting.

 

 

 

 

 

 

 

 

 

 

 

Picture below shows comments about the exhibition.

 

 

 

 

 

 

 

 

 

 

 

Picture below shows close up of exhibition comment, it says “The exhibition itself is wonderful. I think it is really important that it tours beyond Hackney- there are similar stories everywhere and the themes are relevant to all of us. Excellent ‘Residents’ team of presenters.”

Exhibition feedback

Exhibition feedback

 

 

 

 

 

MILKING IT part of a MERL late for British Science Week on Thursday 16th March 7.00-10.00pm

Sensory Objects and their co-researchers, students from Reading College LLD/D dept developed an Interactive Sensory Cow for The Museum of English Rural Life MERL. The idea of the cow is to be used during workshops to explore cows in alternative ways. The cow was commissioned by the Reading Arts Committee and the CLA Charitable Trust .

The MERL Sensory Cow is featuring in MILKING IT part of a MERL late for British Science Week on Thursday 16th March 7.00-10.00pm 

Sensory Objects Co-Researchers from Reading Mencap with Penny Mordaunt MP

Sensory Objects Co-Researchers from Reading Mencap Coffee club demonstrated some of our Sensory Objects to Penny Mordaunt Minister for Disability  during a visit organised by the Breaking Down Barriers Project 

Penny Mordaunt visit sensory Objects

Penny Mordaunt visit sensory Objects

Penny Mordant with Sensory Objects

Penny Mordant with Sensory Objects

Madhouse My House? exhibition opening night 2nd Feb 2017

MadHouseFlyer-1

MadHouseFlyer-1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Last night Madhouse My House? opened at Hackney Museum. Co-researchers from Access All Areas presented their research and the ideas that Sensory Objects have developed with them to create a sensory interactive exhibition.

The group explained their ideas for the exhibition and told the story of Mabel Cooper and Harvey Waterman who has just celebrated his 80th birthday remembered what it was like to be in St Lawrence’s Hospital.

The exhibition is just the start of a series of events that will tell the story of the institutionalisation of people with learning disabilities.

We were introduced to artists who will continue the work with perfomances at Shoreditch Town Hall, top left in the photo below and right Ciara Brennan – Associate Director – Access All Areas introduces Professor Jan Walmsley who emphasised that while it is important to raise awareness of the history of people with learning disabilities, the situation continues to be problematic with many people still in private care homes, many continue to be isolated, in their own homes because of cuts in social care and face few opportunities for employment. This was further emphasised by Nick Llewellyn – Artistic Director of Access All Areas who quoted from a newspaper article in the Guardian that warns that there are plans to open up large institutions to WAREHOUSE  people who can’t afford home care.

ArtistaccessAllareasINTRO

Artist and Co-reseachers from Access All Areas introducing the exhibition

ALLMadhouseCo-researchers

Access All Areas Co-researchers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Images of visitors at the opening night Co-reserachers gave visitors tours of the exhibition.

MadHouseOpeningNight

MadHouseOpeningNight

 

 

 

 

 

 

 

 

 

 

 

 

 

Reactions on Twitter

wittrPICMadHouseOPENING

Twitter PIC MadHouse OPENING

Twitter Opening

Twitter Opening

Twitter mad housebin

Twitter madhouse bin

TwitterMadHouse Opening

TwitterMadHouse Opening

Twitter Terrie at exihibiton

Twitter Terry at the exhibition

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Graham demos the No Escape Slippers

 

Graham Points to No Escape Slippers

Graham Points to No Escape Slippers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Charlene demos Tooth Brusher below and finally the Easy Read Programme for the exhibition including the Madhouse Wiki

Charlene demo toothbrusher

Charlene demos Tooth Brusher

 

 

 

 

 

 

 

 

 

 

 

 

 

Easy Read Madhouse Exhbition

Easy Read Madhouse Exhibition

Sensory Objects with Access All Areas exhibition at Hackney Museum 2017

Sensory Objects have been collaborating with Access All Areas is an award winning theatre company for adults with learning disabilities based in Hackney, London. We have created an interactive exhibition Madhouse, My House? that will open at Hackney Museum London this Thursday 2nd February 2017 – May 13th 2017 .

Below is an image of the Access All Areas Residents Group  who researched and developed the exhibition with Sensory Objects during a visit to Hackney Museum.

Residents Researchers Hackney

Access All Areas Residents Group Researchers on visit to Hackney Muesum

Below is an image of the flyer.

MadHouseFlyer-1

MadHouseFlyer-1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Intro panel to the exhibition

Intro panel to the exhibition

 

 

Until the 1980s many people with learning disabilities were forced to live in hospitals for ‘idiots’, ‘imbeciles’ and the ‘feeble minded’. Explore life at St. Lawrence’s using the stories of two ex-patients: Harvey Waterman and Mabel Cooper.

This interactive exhibition was researched and created by members of Access All Areas, a Hackney-based theatre company that works with people with learning disabilities.

The exhibition is called ‘MADHOUSE myhouse?’ it is part of  a 3 year digital creative learning programme that accompanies the ‘MADHOUSE re:exit’ production by Access All Areas’ Performance Company. The project explores the history of institutionalisation of people with learning disabilities. From long stay hospitals in 1913 right through to current treatment units.

Below are some pictures of the MadHouse My House Exhibition during installation.

TIMELINEBED1

TIMELINE BED History of St Lawrence House from Asylum then Hospital and finally demolition

TIMELINE PERSONAL STORIES

TIMELINE PERSONAL STORIES of Harvey Waterman and Mabel Cooper

 

 

 

 

 

 

 

 

 

 

 

 

 

NoEscapeSlippers

Mabel said the patients were made to wear bedroom slippers so they wouldn’t run away ‘NoEscapeSlippers’

RUFaRO with TOOTHER

RUFaRO with TOOTHER inspired by research that patients had to share a toothbrush

TOOTHERcloseup

TOOTHER closeup

PILL BOTTLE WALL

PILL BOTTLE WALL Harvey remembered being given big brown pills

Pills close Up

Pills close Up

MadHouse Bin HUNG

MadHouse Bin makes the sound of the Madhouse when you throw away a Mental Health Label saying Imbecile

 

 

 

 

 

 

 

 

Sensory Cow for MERL 2016

Over the last few months Sensory Objects and their co-researchers, students from Reading College LLD/D dept developed an Interactive Sensory Cow for The Museum of English Rural Life MERL. The idea of the cow is to be used during workshops to explore cows in alternative ways. The cow was commissioned by the Reading Arts Committee and the CLA Charitable Trust .

Last night our Reading College LLD/D group did a fantastic job showcasing the cow at MERL’s Grand Opening Night. They have been practising over the last few weeks showing visitors how to record their own “MOO”.

Below are pictures of the cow before the guests arrived.
cow-before-all-arrived

 

 

 

 

 

 

 

 

 

 

 

 

 

It was a very busy night opening night, the cow was in the MERL studio and we showcased the cow to many people. The Director of MERL Kate Arnold Forster mentioned our cow in her speech and it soon the cow recorded some excellent moo’s from the guests. There were so many people it was hard to hear after people had recorded it. Here is a clip from an earlier vist with guest leaving their moo.

Below are images from the opening night demoing the cow.

Exploring the Cow

Exploring the Cow

 

 

 

 

 

 

 

 

 

 

 

 

 

showcasing-cow

showcasing-cow

 

 

 

 

 

 

 

 

 

 

 

 

 

people-with-cow

people-with-cow

 

 

 

 

 

 

 

 

 

 

 

 

 

experiencing-the-cow

experiencing-the-cow

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ALL ABOUT MAKING THE COW

Below are images of our Reading College co-researchers and the cow.

a-reading-college-role-play-with-cow

a-reading-college-role-play-with-cow

 

 

 

 

 

 

 

 

 

 

 

 

 

In response to the sensory objects developed during the AHRC Sensory Objects project, working with Reading College LLD/D students at MERL during 2013-14, the need for interactive exhibits and farm animals was highlighted.  Earlier prototypes developed resulted in the idea of creating an Interactive Sensory Cow for MERL as part of the major re-hang of the collection. Below is Rumena’s  interactive chicken 2014.

Our group’s engagement was heightened when creating animal noises during their visit to MERL. The engagement made the collection more accessible and brought to life farms and that farm animals were central to a museum about farming.

The Sensory Cow has been developed as a workshop tool, it allows people to leave their own cow sounds, or any sound they wish, the sounds are recorded by continually pressing a button under the cows chin. Below is a picture of the record button under the cows chin.

cow record button

cow record button

 

 

 

 

 

 

 

 

Our co-researchers practiced inviting the public to record their own sounds and how to stop and start the sounds.

The pictures below shows Steven and Charlotte recording sounds.

recording-a-moo-2

recording-a-moo-2

stephen-pressing-recording-button

stephen-pressing-recording-button

 

 

 

 

 

 

 

 

 

 

 

 

The recorded sounds are played back immediately after recording and can be stopped and started by pressing the milk bottle top switch on the cow’s rump.

bottletopswitch

Milk Bottletop Switch

 

 

 

 

 

 

 

 

 

 

working-on-the-cow

working-on-the-cow

 

 

 

 

 

 

 

 

 

 

 

The sounds collected can be added and removed via the cow’s own Raspberry Pi mini computer network which can be accessed by any computer or iPad joining the cow’s own network and easy to use interface the Moo Manager. The Moo Manger allows workshop facilitators to add their own sounds depending on their workshop subject and easy to delete unwanted sounds.

networked-interface-to-add-and-remove-recordings

networked-interface-to-add-and-remove-recordings

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The cow stands on a grass wheeled base, this houses the Raspberry Pi and speakers and a smell machine with a fan that blows out smells. Working with our group we decided to use a pleasant smell that relates to produce of a cow, milk chocolate.

cow-undercarrage

cow-undercarrage

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We had a talk from Adam an MA student who lives on a farm, he told us some facts about living on a farm with cows. He also mentioned that we needed to add thick eye lashes to the cow.

new-eyelashes

new-eyelashes

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

With our co-researchers we developed workshop materials to be used with the cow. The cow has magnets placed inside it so that various items could be attached to it. We explored items that are produced by the cow, leather and suede patches, milk cartons, milk drinks, beefburgers suggested by the group. The cow has items that attach to it like a type of fridge magnet. We think the  cow could be used to facilitate workshops with people of all ages and abilities.

 

mars-drink

mars-drink

milkbottle-detail

milkbottle-detail

 

 

 

 

 

tactile-patch

tactile-patch

cow-patch-large

cow-patch-large

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

cow-close-up

cow-close-up

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We explored creating stories about fantasy cows or cows based on Greek mythology, as this was part of Reading College LLD/D Dept set studies this term. The group are studying the myth of the Minotaur towards a performance at the end of term. We explored role playing the Minotaur stories and presenting the cow to the public. Below are some of the imaginative ideas of storytelling based on the cow fantasies, inventions and the myth of the Minotaur.

A sensory interpretative journey by Natasha Barrett

Kia ora (a traditional Māori greeting), my name is Natasha Barrett and I’m Museum Studies PhD student from the University of Leicester (AHRC Midlands 3 Cities funded). My research is about colonial-era photographs (1860s-1914) of Māori, the indigenous Polynesian people of New Zealand. I have been discovering how these photographs have been understood and used over time by both Māori and non-Māori. This includes within and outside of British museums. I approach photographs as three-dimensional physical objects. They can as my research shows, reflect social connections amongst communities and with institutions around the world holding photographic collections.

A few months ago, as part of my PhD fieldwork, I met up with Dr Kate Allen at the British Museum. Despite our projects seeming quite dissimilar, there were many parallels, which were helpful for my research. For example, groups of people (and individuals) understand the world in very different ways and all are equally valid. The challenge for those of us working in museums is to try and understand this. We then need to create space for alternative ways of explaining objects. Sensory Labels fully and cleverly achieves this.

Kate gave me a tour around the Enlightenment Gallery with a few of the Sensory Labels. Having recently found out I am dyslexic, I was also personally interested to experience interpretation that does not use text. I was immediately struck by the wonder of the experience and sat with the labels on the gallery floor listening, smelling, touching, smiling and laughing. Through the labels I entered into the stories of the creators – the personal associations, meanings and memories that the objects in the gallery held for them. Each Sensory Label is highly unique, beautifully crafted and reflects the creator’s personality. By the end, I felt I had ‘virtually’ met a fascinating group of people who had enriched my experience of the gallery.

nb_with_ryan_burns_sl

nb_with_ryan_burns_sensory label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The author listening to Ryan Burns’ Sensory Label, 2016. Photograph courtesy of Dr Kate Allen.

ryan_burns_sl_lasercut_photo_low_res

Ryan Burns Sensory Label laser cut photo

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Ryan Burns’ Sensory Label showing his laser cut photograph, 2016. Photograph by Natasha Barrett.

The labels, many of which include miniature versions of the displayed objects, emphasise the sense of touch. Usually in galleries you can only imagine what touching the objects behind glass might be like. Sam Walker’s use of a real shell and Judith Appiah’s carefully crafted Nigerian slipper let you experience the feel of the objects – their texture, shape and smell. Far from being just interpretative devices, Sensory Labels are also fascinating objects in their own right. Not only did they hold my attention but they drew in other people in the gallery, including one of the museum guides. We had a fascinating discussion about snakes in the Hindu religion, as a result of Katy Woollard’s snake themed label. This is, as Kate and I discussed, the power of the Sensory Labels. They create opportunities for conversations and let people share knowledge and diverse perspectives.

sam_walker_sl_shell_low_res

Sam Walker’s sensory label shell

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sam Walker’s Sensory Label with shell on/off switch, 2016. Photograph by Natasha Barrett.

Afterwards Kate and I meet with George Oates from Museum in a Box. I had noticed the similarities between the projects and was intrigued to discuss this further. Both use box formats and readily available low-tech electronics systems. These are easy to use and focus on the non-visual senses (e.g. touch and sound). They encourage people to interact or do something with the objects to make something else happen. Might these devices offer an alternative way of interpreting photographs? Far from being just pictures, we interact with photographs using our emotions and senses. Just think about the photographs in your own house, particularly those of your loved ones. What do they mean to you, and how you display and interact with them? They might make us laugh and cry, and beyond just looking, we touch and respond to photographs in a variety of ways. However this is not how photographs are usually interpreted and displayed in museums. Instead photographs are simply used as images to illustrate historical events and show what people looked like (a form of visual evidence).

Although Sensory Labels and Museum in a Box are not currently being used to interpret photographs, I can see great potential for this. For example, the laser cut photographs of the creators on the Sensory Labels suggests the way we tend to touch photographs. Touch is important in Māori culture and this technology creates a way of experiencing photographs through the fingertips. Sound is also significant for Māori and with both systems photographs could be used to activate the sound of Māori elders talking. This would give them the opportunity to talk about their ancestors, cultural treasures (known as taonga) and the places shown in the photographs. Themed packs of photographs could also be put together and used as George noted, as a way of ‘returning’ photographs (and the knowledge they hold) of people, places and cultural objects to their communities.

sl_and_mib_low_res

sensory labels and museum in a box

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Museum in a Box (foreground) and Sensory Labels (background), 2016. Photograph by Natasha Barrett.

Experiences in museum still tend to rely on looking at and seeing objects. Opportunities for using our other senses, especially with photographs, are still not common. Also, whilst the voices of ordinary people are now heard in museums, these are still often shaped by institutions. Both Sensory Labels and Museum in a Box give people the freedom to express things in their own way. Using low cost systems, they place the power of object interpretation outside of the museum. However, these systems are flexible and can also used within museums. I look forward to seeing how these projects develop in the future!

 

Researcher experiences Sensory Labels: Focus on Ryan’s Label

Museum Studies PhD researcher Natasha Barrett contacted us to ask if she could experience some of our Sensory Labels created for the Enlightenment Gallery in the British Museum. Natasha is interested in exploring photograph with all our senses.

Natasha with Ryans Box

Natasha with Ryan’s Box

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Natasha introduced me to George Oates from Museum in a Box  we found we had lots of things in common creating sensory experiences for museums.

Museum in a Box1

Museum in a Box1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I brought some Sensory Labels made by our co-researchers from the Tower Project to the Enlightenment Gallery, for Natasha to try, Ryan Burns Chinese plate inspired label was a particular favourite. Below are images from Ryan’s Wiki Pages developing his label and sharing it with the public. There is also a video of Ryan’s Sensory Label in action so you can hear what everyone was listening to in the pictures. The smell Ryan chose was a floral perfume that reminded him of his Nan. Ryan’s drawing and his photograph was laser etched into the surface of the label.

Here are pictures from Ryan’s Wiki showing the development of his sensory label as documented by him. The plate Ryan made from air hardening clay as his response to the ones in the Enlightenment Gallery, broke. This gave Ryan the idea to have the sound of breaking ceramics on his sound track, he also found some Chinese Opera to add to his soundscape.

Ryans Diary Making Label

Ryan’s Diary Making Label

Ryans Diary Showing Label

Ryan’s Diary Showing Label

Sensory Objects present to SHARE East Seminar at The Polar Museum 4th March 2016


Judith with support work Reshma and Kate went to the Polar Museum in Cambridge to present the Sensory Object research project to SHARE East Working with Different Audiences. We co-presented the research, Judith did an excellent job describing her Sensory Label for the Enlightenment Gallery at the British Museum and how we use the five senses in our workshops. The organiser Katrina Siliprandi commented after

“Thank you so much for your input to today’s programme. It was brilliant for the group to hear about the work you have been doing and presented so clearly and interestingly. Thank you so much for arranging for Judith to also contribute to the presentation. I think the work you are doing is wonderfully innovative and exciting and clearly so valuable for the project members.”

We were also given a fascinating tour of the Polar Museum after the seminar.

Entrance to the Polar Museum Cambridge

Entrance to the Polar Museum Cambridge

During presentation

During presentation

 

Judith demos how a bend sensor activates her sound in her Sensory Label made for the Enlightenment Gallery at the British Museum

Judith demos how a bend sensor activates her sound in her Sensory Label made for the Enlightenment Gallery at the British Museum

Working with Different Audiences Programme

9.45   Coffee

10.00   Introduction

10.05   Speaker: Naomi Chapman, Polar Museum   “Building up different audiences at the Polar Museum.”

Naomi from the Education and Outreach team will talk through some of the ways that the Polar Museum have worked to increase the diversity of their audiences.

10.35   Speaker: John Lanagan, CEO, Museum of East Anglian Life   “A Prescription for Living” – Improving health and well being through inclusion and participation.

The workshop will provide an overview of the programmes the Museum of East Anglian Life has developed for supported volunteering and adult skills development for people with learning and physical disabilities, mental health issues and otherwise disadvantaged backgrounds. In interactive sessions delegates will have the opportunity to explore the motivation for working with diverse groups, what unique opportunities their organisation can offer and some of the practicalities of delivery.

11.30   Speaker: Isabel Craig, The Norris Museum   “Spuds, Spam and Stirrup Pumps”

12.00   A brief tour of the Polar Museum with Naomi Chapman, thinking about how the various spaces and display might work with different audiences.

12.30-1.15   Lunch, including tea and coffee

1.15   Speaker: Gill Brailey, Heritage Learning Manager, Lancashire County Council Cultural Services   “Creating an Autism Friendly Museum”, a case study in discovering a range of resources and strategies to support museum visits

2.00  Speaker: Judith Appiah, Sensory Objects Co-Researcher from the Tower Project and Dr Kate Allen, Associate Professor in Art, Department of Art, University of Reading  “Sensory Objects”

This programme is about the co-creation of  multi-sensory interactive art works that respond to museum collections, to generate alternative ideas for museum interpretation, developed through art and electronics-based workshops by people with learning disabilities in collaboration with an interdisciplinary research team.

Over the last three years researchers from the University of Reading and RIX Research and Media at the University of East London have collaborated with people with learning disabilities from the Tower Project London exploring collections in The Enlightenment Gallery at The British Museum where they created Sensory Labels.

They worked with Reading College students from the Learners with Learning Difficulties /Disabilities Dept exploring the University of Reading’s Museum of English Rural Life (MERL) where they created interactive farm animal prototypes which they are currently developing into more robust versions of the original ideas for the re-hang of MERL.

They also worked with Mencap Liverpool Access to Heritage at the National Trust’s Speke Hall where they have made Sensory Story boxes. Sensory Objects was funded by the Arts and Humanities Research Council 2012-15 and are currently applying for further funding to create a more sustainable enterprise for people with Learning Disabilities to work within museums and heritage sites.

2.45   Speaker: Jeremy Kimmel, Audience Development Officer, Tunbridge Wells Museum and Art Gallery   “Using Partnerships to Unlock New Audiences”

Jeremy will talk about how partnerships have allowed Tunbridge Wells Museum and Art Gallery to work with different audiences and develop the Dementia Toolkit

3.30-3.45 Plenary

 

SHARE Museums East screen grab

Sensory Objects Poster Engage Conference 02.12.15

Ajay Choksi Wiki Master from RIX research and media and Kate presented a Sensory Objects poster at Engage 2015-Engaging with Impact in Bristol at the Royal Marriott Hotel  We also introduced ArtLab which is a project that has grown out of the Sensory Objects Research. ArtLab promotes Widening Participation and Research projects at the University of Reading. The text below is from the Engage Programme about the poster party event.

“Engage enthusiasts will be pleased to know we are hosting the fabulous Poster Party with over 30 people and teams keen to share their work with great ideas for developing more effective engagement, celebrate and network in style with nibbles and drinks – encouraging constructive and inspiring conversations from across the world.” The picture below shows the poster with Adalana showing her Sensory Label at the British Musuem, we also demonstrated some of the Sensory Labels, this was before they turned on the party lights!

Poster Party Presentation

Poster Party Presentation

There were lots of people Ajay did a great job explaining about the project, demoing the Sensory Labels and showing the project Wikis. The pictures below show Ajay at work talking about Sensory Objects during the ENGAGE 2015 Poster Party, with some pink/purple lighting.

Ajay explains to AHRC person

Ajay explains to AHRC person

Ajay explains to UCL person

Ajay explains to UCL person

Listening to Adalana's Label

Listening to Adalana’s Label

Ajay shows Wiki

Ajay shows Wiki

Ajay Talks to Researcher

Ajay Talks to Researcher

 

 

 

 

 

Sensory Objects commissioned to create Interactive Farm Animal for MERL

We have been given a small grant by the University of Reading Arts Committee to create one of our ideas of an interactive farm animal generated by our work with Reading College Learners with learning difficulties and disabilities dept at MERL in 2014.

Buckets Baskets And Boots Flyer

Buckets Baskets And Boots Flyer

The proposal builds on Sensory Objects research to create an interactive farm animal experience ready for the opening of MERL in late 2016. The interactive experience (in the form of a full size interactive farm animal) will be created through a series of workshops at MERL run by Sensory Objects during 2016 in collaboration with students and Sensory Objects Co-reseaerchers. The workshops will explore the life of farm animals through all the senses employing stories, sound effects, and tactile materials to develop an interactive cow. The exhibit will encourage an inclusive accessible experience for visitors to MERL.

We propose to modify a cow bought from Jolly Roger model company by installing technology, which allows interaction for the visitor.

Resin Cow

Resin Cow

Some of our ideas for interaction include:

  • Stroking the cow will trigger sounds, smells and provide a tactile experience.
  • A recording mechanism in the animal’s ear so that when the audience squeezes the ear they will be able to leave a recording of their version of the animals sound.
  • Recorded sounds could be randomize and include audience created animal noises of moos etc and pre-recorded sounds.
  • Patting the back of the cow will trigger its tail to swish and activate a smell of Farmyard/Manure.

Sensory Objects Present to Visitor Studies Group Meeting, Whitworth Gallery Manchester 11.11.15

Tim Elson with support worker Ferhat from The Tower Project and Kate went to Manchester to present our research at an event called Access All Areas?

Tim and Ferhat at the Whitworth Art Gallery

Tim and Ferhat at the Whitworth Art Gallery

The day focussed on access and accessibility in the cultural sector the pictures below show a screen grab from the webpage and the presentation at the Whitworth Gallery.

VSGAcess All Areas Screen Grab 2015

VSGAcess All Areas Screen Grab 2015

Presentation VSG

Presentation VSG

The picture below shows the easy read plan of our presentation, we also showed some of our Sensory Labels made for the Enlightenment Gallery. Tim and Kate answer questions about the project.

Sensory Objects Present Access All Areas 2015.d

Sensory Objects Present Access All Areas 2015

We had a great response from the audience including some tweets. The picture below shows Tim’s box in a tweet.

Visitor Study Group 2015 Tweet

Visitor Study Group 2015 Tweet

We were asked if we would be able present a conference for Share Museums East, held at the Polar Museum in Cambridge on Friday March 4th 2016.

Sensory Objects Summer 2015

Sensory Objects has been busy over the last few months sharing our research nationally and internationally. Tower Project co-researchers produced a newsletter documenting the project.

Tower Project Newletter by Tim and Judith

Tower Project Newletter by Tim and Judith

We featured in an article by French journalist Clara Crochet-Damais which documented the award ceremony in Paris where we were awarded the International Access for All Design Trophy 2015 on the website FranceTVinfo

FranceTVinfoPage report on Design for All Foundation Award

FranceTVinfoPage report on Design for All Foundation Award

Nic getting trophy 2015

Summer 2015   Zena Hussein an Intern from UEL worked on data analysis from the Sensory Objects Project. Karl and Barbara Baeck from a tempo, a support network for people with disabilities to access employment, in Graz Austria, Karl and Barbara were funded by the European Union to study the Sensory Objects project. They intend to translate the Sensory Expeditions Activity book into German. The picture below shows Karl with Marc on an earlier visit to the project.

Karel with Marc from ‘atempo' Graz

Karl with Marc from ‘atempo’ Graz.

Sensory Objects were invited by Becki Morris to contribute to a new webpage Disability Cooperative Network the aim of the network is to share knowledge to break down barriers for disability in the cultural sector

DCN network

DCN network

you can see our Case Study Page here  Becki told us that the Sensory Stories Liverpool 2013 seminar was incredibly important to her and the cookbook had been an incredible resource. The webpage was launched by Becki as part of a Museums Association Seminar, Opening doors: Rethinking disabled access and interpretation in your museum23.06.15 The picture below shows Becki at our Sensory Stories Seminar in Liverpool in 213, co-researcher Chris is demonstrating the creak of his sensory Speke Hall box.

Chris demos his box

Chris demos his box

Sensory Objects present master class and demo at the Museum and Heritage Show 2015

On Wed 29th April Sensory Objects co-researchers from Tower Project presented a well attended master class and demo during the Museum and Heritage show at Olympia London. UEL had a stand where we displayed some of our Sensory Objects including some made by our co-researchers from Reading College Learners with Learning Difficulties/Disabilities dept at the Museum of English Rural Life including our yellow jiggling and grunting pig.

John with Rachel's yellow pig

John with Rachel’s yellow pig

The pig was very effective at catching peoples attention during the show, we also showed the sheep cushion that goes ‘baa’ when stroked.Tryingsheepcushion2

During the talk co-researchers from the Tower Project Judith Appiah and Tim Elson showed the audience their Sensory Labels for the Enlightenment Museum at The British MuseumGeraldine & Judith.

Tim showing his sensory label

Tim showing his sensory label

Tim and Judith described the workshop process and how they developed sensory information and shared their work with the public at the British Museum. Throughout the day many people came over to the stand to discuss ideas about how to make museums more sensory and inclusive.

Sensory Objects at Museums & Heritage Show

Sensory Objects at Museums & Heritage Show

We also took some photos of Tim, Judith and Kate with our recently awarded International Design For All Trophy 2015. We return for another Sensory Labels showcase in the Enlightenment Gallery at the British Museum on Thursday 28th May 2015.

 

Kate Judith and Tim with Design for All Award

Kate Judith and Tim with Design for All Award

Sensory Objects Seminar at The British Museum 25.02.15

Below is the easy read programme of our very successful Seminar at The British Museum. You can see a report of the Seminar on our Co-researchers Wiki

Seminar BRITISH MUSEUM 25th FEB Programme 1&2

Seminar BRITISH MUSEUM 25th FEB Programme 1&2

Microsoft Word - Seminar BRITISH MUSEUM 25th FEB Programme

Microsoft Word – Seminar BRITISH MUSEUM 25th FEB Programme

The picture below shows an image from our Co-researchers Wiki documenting Angela from Access to Heritage  giving the first presentation of the Seminar about the Sensory Objects at Speke Hall.

Wiki Angela presents

Wiki Angela presents

Kellys Report

Kellys Report

 

The picture below shows Angela showing her scrap book to delegates.

Angela showing her scrap book

Angela showing her scrap book

Next was a presentation from year two of the Sensory Objects Project at the Museum of English Rural Life (MERL) with Co-researchers from Reading College Learners with Learning Difficulties and Disabilities. The talk included a video featuring the Director of MERL talking about the influence of Sensory Objects project on the redesign of MERL

Impact of Sensory Objects by  Kate Arnold Forster Director of MERL

I just wanted to mention a couple of small examples of how we are beginning to take forward the Sensory Objects work into the new interpretation plans for MERL We are currently working on developing the ideas for the interactive in the new galleries and has already a couple where the Reading College project has definitely informed our thinking. Both are quite simple, but you can probably see how they link back to your project. We are developing a gallery called the Wagon Walk – a space where we will bring together all of our farm wagons and aim to interpret them in multiple ways. However, one important facet to the different designs for farm wagons is the relationship between different regional types of wagon and topography.  Wagons designed for mainly flat terrain are different to those for hilly areas of areas with narrow winding lanes, for example. So we are going to create a 3D map of the landscape that visitors can touch and explore as a way of understanding about landscape and topography. The other example is that we will be creating a model farm that visitors can explore and interact with, but it will include smells and noises (not sure quite how yet) but that is the plan.

At a slightly different  level we have now undertaken a piece of work to develop new approaches to tactile access to our collections as it is clear that as a result of Sensory Objects and other audience feedback our visitors are keen to handle and interact with real objects as part of their visitor experience.   We have  developed a scheme to enable us to make more collections available for handling and so that it is acceptable to curators, conservators as well as our audiences. This is an area of wider interest within the museums community and we are sharing this work with a training seminar next month (funded by ACE) and there is interest from the Collections Trust in incorporating this new protocol into the next round of SPECTRUM – the museums standard for collections care (so a  piece of impact of policy and practice).

The next presentation in the picture below was by Co-researchers Tim, Judith and Sam from the Tower Project. They explained the process of developing Sensory Labels for the Enlightenment Gallery at The British Museum.

Judith presenting with us in background

Judith presenting with us in background

The picture below shows Sam and her first Sensory Postcard.

Smiling Sam with shell card

Smiling Sam with shell card

The picture below shows Tim talking about his drawing of a plane that he wanted to be engraved in wood. His idea inspired everyone to have their drawings laser cut into wood.

Tim presenting

Tim presenting

Then the co-researechers invited all the delegates to try their sensory labels during lunch.

WIKI All show the Labels

WIKI All show the Labels

Julie with group listening to her box

Julie with group listening to her box

Adjoa showing Sarah her Sensory Label

Adjoa showing Sarah her Sensory Label

After lunch Ajay gave a presentation from his diary about the project including our Pop Up Musuem

AJay presenting

AJay presenting

Next Kelly, Ryan and Justin co-presented with Andy about using Wikis to help reflect and develop their research ideas.

Judith Reports on the Seminar

Judith Reports on the Seminar

Kelly Presenting

Kelly Presenting

Andy with Ryan presenting

Andy with Ryan presenting

Justins Wiki diary

Justins Wiki diary

After Justin’s presentation Nic showed some of the electronics called Arduinos used inside the sensory objects to trigger sounds he also showed some of the workshop kit we have used during the project.

Nic with Arduino

Nic with Arduino

Nic also demonstrated two cushions that make noise when you stroke them.

Nic with sensory cushions

Nic with sensory cushions

Tweet of creature in cup workshop

Tweet of creature in cup workshop

Nic and Kassie then invited the delegates to try littlebits. The challenge was to create a creature in a cup.

littlebits BM seminar creature in a cup

littlebits BM seminar creature in a cup

Making a creature in a cup littlebits

Making a creature in a cup littlebits

Everyone had a go making a creature in a cup, then finally Andy led a discussion reflecting on the project and the Sensory Activities Guide.

5 senses Tim and Andy

5 senses Tim and Andy

Sam says Make museums more accessible

Sam says Make museums more accessible

Sensory Expeditions

Sensory Expeditions

Faustina Caroline and Sensory Activities Book

Faustina Caroline and Sensory Activities Book

Sensory Objects Seminar

Sensory Objects Seminar

 

 

 

 

 

 

Sensory Labels Showcase Day in The Enlightenment Gallery at The British Museum 11.02.15

Sensory Objects co-researchers from The Tower Project created a set of 12 labels you could look at touch, listen to and smell based on objects in the Enlightenment Gallery . These Sensory Labels were then enthusiastically and confidently presented  to the public by our co-researchers during 2015. Each Sensory Label was created as an alternative piece of interpretation for an object chosen by our co-researchers  thinking about sensory information.

This work was awarded the Design For All Foundation Award Trophy in 2015

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows the 12 Sensory Objects Co-researchers from the Tower Project and supporters during one of the sessions.

Group shot of Sensory Object Researchers

Group shot of Sensory Object Researchers

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The response was fantastic with many positive reactions expressed to us, collected on feedback forms, recordings, written on twitter. We were invited to present the Sensory Labels during half term.

The picture below shows Sam showing Chalkwell School the Sensory Labels.

Lots of Tweets document the day

Lots of Tweets document the day

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

During the day colleagues from RIX research created a live wiki page and filmed to make us a video of the event and seminar. The picture below shows Andy and Sam updating the Wiki.

Andy and Sam wiki and shells

Andy and Sam wiki and shells

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows a screen grab of Kelly and Adalana’s wiki diary entries for the Showcase you can read more diaries and our co researchers thoughts on our co-researchers wiki

Kelly’s Diary of the showcse day

Kelly’s Diary of the showcse day

Adalana diary of Showcase Day

Adalana diary of Showcase Day

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Many of Orson Nava’s great photos captured the day for us, the picture below shows Adalana showing her Sensory Label to a museum visitor, he was smelling a lovely perfume, listening to the sound of crystals and diamonds.  Adalana discovered that the diamond she had chosen had been removed from the Enlightenment Collection but her Sensory Label gave people an idea of the missing diamond.

Adalana shows her Sensory Label to visitor

Adalana shows her Sensory Label to visitor

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below show the texture of Ashley’s label being felt. Ashley chose a stuffed Golden Pheasent as his object. He had sounds of the bird call which were very effective and loud, his smell was oranges.

Ashley shows Kassie his Sensory Label

Ashley shows Kassie his Sensory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Sensory Labels were enjoyed by all ages, the picture below shows shows Sam demonstrating her Sensory Label of a shell that reminded Sam of her mum living by the sea.

Sam demos sensory labels

Sam demos sensory labels

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Picture below shows feeling the texture of Sam’s Sensory Label, the smell was a smell of seaside.

Sam demos sensory Label

Sam demos sensory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

Picture below shows Judith with school group trying her Sensory Label of a leather African slipper. Sounds are triggered by bending a leather slipper she had made with a bend sensor embedded in the sole. The smell of the Sensory Label was leather.

Judith shows school group

Judith shows school group

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows listening to Kelly’s Sensory Label telling the story of the statue of Paris. There were sounds of fighting, rain and the smell was aftershave.

More listening to Kellys box

More listening to Kellys box

 

 

 

 

 

 

 

 

 

 

 

 

 

The two pictures below shows visitors with Ryan and his Sensory Label about two Chinese plates that reminded him of his nan. The box smell was roses and the sounds were smashing plates and Chinese opera.

Ryan demos sensory labels

Ryan demos sensory labels

Listening to Ryans Sesnory Label

Listening to Ryans Sesnory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pictures below show Tim demonstrating his Sensory Label based on a miniature Egyptian Mummy. Tim’s label has sounds of Egyptian music, camels and the safety instructions given by air stewards at the start of a flight. Tim had drawn a plane for his label as it reminded him of going to visit Egypt on a plane. Tim’s box smell was Egyptian perfume.

Tim showing his sensory label

Tim showing his sensory label

 Listening Tim’s Sensory Label

Listening Tim’s Sensory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows Michael showing his Sensory Label based on a large bowl that he researched an found out it was a wine cooler. Michel imagined eating Chicken and Chips in this giant bowl. His label smell was Vinegar and the sounds were of eating, slurping, frying and cereal being poured into a bowl.

Michael demos his sensory label

Michael demos his sensory label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows a visitor smelling the smell of beer and cheese and onion crisps, as Justin described it the “smell of success” in his Sensory Label. The picture below also shows the Warwick Vase, Justin’s chosen object, which reminded him of the FA cup and his love of Liverpool Football team. The sound for his label was a montage of football commentaries about Liverpool.

Justin’s Sensory Label

Justin’s Sensory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows Justin’s Sensory Label proving a hit with a visitor.

Justins box a Hit

Justins box a Hit

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows a visitor listening to another football fan, Julie chose a Heron from the collection because it reminded her of the Tottenham Hotspur Football cockerel logo. The sound track included the sound of a Blue Heron fishing in a lake, Julie making a tweet sound and singing with the Tottenham Hotspur team song. Julie’s Sensory Label smell was fish! which was a bit of a surprise for many.

Julie and her Sensory Label

Julie and her Sensory Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows a visitor smelling the sea in Adjoa’s Sensory Label. Adjoa chose a coral because she likes the sea. The sounds Adjoa chose were the sea and Handel’s Water Music.

Smelling Adojas Label

Smelling Adojas Label

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The pictures below show Katy’s sensory label, Katy’s object was a snake. Katy wanted her label to have a snake being charmed out of it’s basket, the sound is snake charming music and she wanted the smell of grass. The label has a light sensor embedded so when you open the lid the light triggers the snake to move slowly up. The light levels in the Enlightenment Gallery proved just too low for the sensor to work so we used a torch, which proved to create great engagement for the visitor.

All at table

Katy and her Sensory Label

Katy and Mark charm the snake

Katy and Mark charm the snake

 

A charming the snake

A charming the snake

Katys box snake being charmed

Katy’s snake being charmed with light from a torch

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows the phone sound box containing all 12 co-researcher sounds, the smell is Cadbury’s Chocolate the smell chosen to celebrate Sir Hans Sloane and his addition of milk to Drinking Chocolate.

The collected sounds phone box

The collected sounds phone box

 

Matt and Andy try phone box

Matt and Andy try phone box

Listening to sounds on phone

Listening to sounds on phone

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The picture below shows Julie and Michael discussing their labels with Jane Samuels at the time the The British Museums Access and Equality Manager.Julie Michael and Jane

 

 

 

The Aura of a Sensory Object by Matthew Goodsell

The Aura of a Sensory Object

In the writing of Walter Benjamin, we find the concept of the ‘aura’, a special distancing or abstraction certain objects have. He describes it as ”the unique phenomenon of a distance, however close it may be”, going on to explain ”If, while resting on a summer afternoon, you follow with your eyes a mountain range on the horizon or a branch which casts its shadow over you, you experience the aura of those mountains, of that branch.” It is a remoteness, an eery foreignness. Benjamin was, of course, dealing with the photograph; pictures may also have a punctic effect, to use Barthes‘ term, wounding the viewer in a way he cannot quite articulate. That which is special to some appears ordinary to others, and thus to some have an aura.

It is this disconnect in perception that interests us. For a person with learning difficulties, an object may have a value or significance others cannot fathom. The person cannot say why the object is significant, and this causes a difference in perception we might call a type of aura. The person to whom the object is significant may see the tree, yet can only tell others of the shadow. It is through these objects, whose significance may be hidden from us, that we are left to reconstruct the discourse of learning disability history. Inasmuch as it is, in part, shrouded from us because it cannot be articulated as it usually would be, it is an auric discourse. We who observe from without are distanced from it, yet are fascinated to explore this mysterious terrain.

In effect these objects have a contingent: an extra specialness or relevance that the owner cannot articulate. This may explain their fixation. This is not a fetishisation in the usual sense, where an object or detail is fixated upon for unconscious reasons which go beyond articulation and can only be explored through psychoanalysis; the persons inability to explain his or her attraction is due to other factors, yet the result is exactly the same. In both cases, the reasons behind the attraction cannot be rendered in the symbolic.

You can read more of Matts writing on his blog HERE. The picture below shows Matt experiencing Sam’s Sensory Label during the Sensory Objects Showcase at The British Museum.

Matt with Sam’s Sensory Label

Matt with Sam’s Sensory Label

Tower Project Showcase Event at The British Museum on Wednesday 11th February in The Enlightenment Gallery 11am – 3pm

Members of the Sensory Objects research project invite you to try out their newly developed interactive Sensory Labels of selected objects in the Enlightenment Gallery at The British Museum on Wednesday 11th February in The Enlightenment Gallery 11am – 3pm.

These Sensory Labels have been co-developed by people with learning difficulties and disabilities from the Tower Project London, working as co-researchers; they form part of an interdisciplinary team from The University of Reading and RIX Research and Media at the University of East London.

The Sensory Objects project creates multisensory interactive artworks that respond to museum collections and generate alternative ideas for museum interpretation. The image below is a poster containing this text, advertising the event.

POSTER TOWER PROJECT SHOWCASE EVENT

POSTER TOWER PROJECT SHOWCASE EVENT

The image below is the easy read programme for the Showcase Event Day.

 Event invite BRITISH MUSEUM Easy Read

Event invite BRITISH MUSEUM Easy Read

Sensory Objects Co-researchers at the first ‘Sandpit Workshop’ of the Living Archive for Learning Disability History Project

The Sandpit day was organised to combine showcasing of work with and by people with Learning Disabilities with interactive demonstrations and activities designed to get discussion and debate going about what a Living Archive of Learning Disability History should be like. Find out more about the research project  here 

Sam sounds showing

Sam sounds from her Sensory Label

Feeling TIms Sensory Label image of plane

Feeling Tims Sensory Label image of plane

Sensory Objects Co-researchers from the Tower Project were invited to host a Sensory Objects room. Judith, Sam and Tim represented the Tower project demonstrating sensory objects from the 3 years of the Sensory Objects project, including their newly developed Sensory Labels. Katy’s Sensory Label was also shown. Our Co-researchers also demoed littlebits used in workshops to understand triggers.

Tim explains littlebits

Tim explains littlebits

Sniffing snake in grass box

Sniffing Katy’s  snake in grass box

Sam and her box

Sam and her box

Sensory Objects Sandpit with Harry

Sensory Objects Sandpit with Harry

From the Sandpit day we learnt about the importance of creating an archive of Learning Disability History. Of importance to the Sensory Objects project was the desire by people in discussion that the physical quality of the Living Archive needs to be preserved. People were keen that the archive took various forms so that it would be accessible for everyone, from a digital archive to some kind of physical sensory archive.

 

 

 

Sensory Objects present at ENGAGE 2014 Conference

The Sensory Objects project was represented by co-researchers Judith Appiah and Tim Elson supported by Beverley Agard from the Tower Project, who co-presented with Nic and Kate at ENGAGE 2014 conference in Bristol. The picture below shows Judith and Tim preparing for the presentation with Beverley on the train to Bristol.

Preparatory Work on Train

Preparatory Work on Train

We arrived just at the Bristol Marriot Royal Hotel just in time for lunch where we met up with Nic. The picture below shows all at lunch.

Lunch at conference

Lunch at conference

Our presentation was at 2pm we presented work from the three years of the project then had a hands-on workshop. The picture below shows Tim and Judith presenting.

Tim and Judith Present

Tim and Judith Present

We showed some of the work from MERL, Sian’s mooing boot and Rumena’s Chicken. Judith explained about her chosen object, a pair of leather slippers, African treasure and how she has made her sensory label. As we were presenting our audience were tweeting so some of the the images below show the tweeted response from the audience.

How Judith developed her sensory label

How Judith developed her sensory label

Judith invited people to try her sensory label.

Judith sensory label

Judith sensory label

Judith Pic

Judith Pic

Next Tim spoke about the development of his Sensory Label. He showed a slide of the miniature sarcophagus in the Enlightenment Gallery and explained using his wiki his research of the object and how he had drawn an aeroplane because it reminded him of flying to Eygpt.

Tweet of Tims presentation

Tweet of Tims presentation

Tweet of Tims plane

Tweet of Tims plane

Tim invited the audience to try out his sensory label the picture below shows the audience tweet.

Tweet of Tim’s Box

Tweet of Tim’s Box

We told the audience about some of the other ideas for Sensory Labels including Justin’s ideas for the Warwick Vase reminding him of the FA cup and that he wants the smell of his box to be the smell of Cheese and Onion crisps and Beer as he thinks of this as the smell of success! This made people laugh and a response on Twitter, where some people liked the idea of the smell one did not. The picture below shows the discussion.

Cheese and Onion Crisps and Beer

Cheese and Onion Crisps and Beer

Then we moved on to the hands on workshop part of the presentation we invited the audience to tryout some of the tools we have used in our workshops to help understand triggers, controlling sounds with sensors. We demonstrated Squishy Circuits, littleBits, sound boxes and littleBits go Large.

LittleBits go LARGE demo

LittleBits go LARGE demo

The picture below shows a tweet during the demos of little bits go LARGE.

Tweet Enjoying handson workshop

Tweet Enjoying handson workshop

Tim and Judith sat at a table each and demonstrated how little bits and little bits go LARGE work while Nic explained more about the research ideas behind the workshop. The pictures below show everyone during the hands on workshop.

Workshop with bits

Workshop with bits

TIm during littleBits workhsop

TIm during littleBits workhsop

TIm demos littleBits

TIm demos littleBits

Judith shows triggers

Judith and Nic demo little Bits go LARGE

After the workshop we went listen to a presentation by Mohit Bakaya a commissioning editor for BBC Radio 4. He spoke about the need to widen the types of people presenting programmes to widen the audience who listen to Radio 4. We wondered if he would commission Sensory Object to make a programme?

Listening to Mohit Bakaya from Radio 4

Listening to Mohit Bakaya from Radio 4

Listening at the Conference

Listening at the Conference

We found the conference a really valuable experience, we learnt a lot and found the audience in our presentation were really ‘engaged’ asking lots of interesting  questions and were keen to find out more about the Sensory Objects project, discuss new ideas and opportunities. The picture below shows Tim, Judith and Bev about to leave the conference hotel.

Hotel with Tim Bev and Judith

Hotel with Tim Bev and Judith

 

 

 

Sensory Objects Present at the Diversity in Heritage Group Meeting 30.10.14

We presented our Sensory Objects research at the Diversity in Heritage Group Meeting held at the Cinema Museum, London, the picture below shows the agenda of the meeting.

 Agenda for Heritage and Diversity Meeting

Agenda for Heritage and Diversity Meeting

We co-presented our research with Judith and Tim representing the Tower Project with their support worker Bev, Kate and Nic also presented and Kassie filmed and helped with the hands on workshop part of the session. The picture below shows Tim and Judith preparing for the meeting with Bev and Kassie.

Judith and Tim prepare

Judith and Tim prepare

The pictures below show members of the Diversity in Heritage Meeting and Poppy who was leading the meeting.

Poppy and members of the H&D group

Poppy and members of the H&D group

Members of the Heritage and Diversity Group

Members of the Heritage and Diversity Group

Before the meeting we were given a tour of the Cinema Museum the picture below shows members of the meeting during the tour.

Tour Cinema Museum

Tour Cinema Museum

During Guided Tour of the Cinema Museum

During Guided Tour of the Cinema Museum

The picture below shows members of the sensory objects team presenting our research.

Presentation by Sensory Objects

Presentation by Sensory Objects

The video below has some edited highlights from our presentation

 

 

Sensory Objects Research Presented at the Inclusive Museum Conference

Kate and Nic gave a hands on presentation of the Sensory Objects project to the Inclusive Museums Conference at the Autry Museum in Los Angeles. We sent a big box containing Sensory Objects developed by our Co-researchers from Reading College at MERL and also the Access to Heritage Group in Liverpool. We showed slides and videos of our current group from the Tower Project at the British Museum to explain our project conference attendees. We met people from all over the world who were interested in our project. The pictures below show some of them trying out the objects you can see Phillip and Johns scrapbooks of Sudley House Liverpool, Sians mooing boot and Rachel’s Pink grunting Pig and Nic explaining our ideas of using Squishy Circuits, littleBits and our research with littleBits go LARGE.

Inclusive Museums Presentation Sensory Objects

Inclusive Museums Presentation Sensory Objects

Sensory Objects Presenation Nic at InMusCon

Sensory Objects Presenation Nic at the Inclusive Museum Conference

During the conference there were many talks and discussions often all happening at once. One of the most inspiring talks, I thought, was by Nina Simon, she wrote a book that helped give shape to our sensory objects project The Participatory Museum. Below are some images she used during her talk about Santa Cruz Museum where she is working at now. Her talk showed her ideas and experiences of making the museum a place where everyone can feel welcome and take part. She mentioned Pop Up Museums and also the idea of the museum acting as a place for people to have conversations, bringing unlikely people together, she described it as ‘bridging’ the two people bottom left of the picture are a lady who knits and a graffiti artist who meet during a workshop at the museum and really got on.

Presentation Nina Simon

Presentation Nina Simon

During the talk Nina mentioned some of the problems of making the museum more participatory, that some people in the community accuse her of dumbing down the museum, she illustrated the problem by showing this cartoon below. You can’t please everyone, in the cartoon a character called MAH that Nina said represented her is telling Michelangelo that his painting of the Sistine Chapel is “a bit passive and that he must engage the visitor, leave room for the visitors to colour in your work with crayons or paint ball! you know…. dumb down your work!” Nina mentioned that by widening the audience to the museum you will also alienate people who enjoyed it as it was, but attendance and participation in the Santa Cruz Museum continues to rise and generate income because of her ideas of inclusion.

Nina Simon Cartoon

Nina Simon Cartoon

The video below shows Nina giving a talk which has similar content to the presentation at the Inclusive Museums Conference.

Universities Museum Group Digital Showcase Bristol

UMG PIC

UMG PIC

Nic and Faustina took some of our Sensory Objects to display at Digital Dimensions: the University Museums Group Digital Technology Showcase in Bristol. We were given the “dressing room” of the Warwick Theatre to display everything.

UMG SHOW

UMG SHOW

We put Rumena’s chicken in the hallway so that as people walked past it activated the sensor and drew people into the room. We learned afterward that they were having a meeting in main theatre down the hall and they could hear the chicken and an occasional pig and cow throughout meeting, but they said they didn’t mind, it livened up the meeting. The showcase gave us a great opportunity to share our research with others from museums. One delegate tweeted about Rumena’s Chicken see picture below.

Chicken Twitter Comments

Chicken Twitter Comments

Sensory Objects paper published

Sensory Objects Project has had a paper published in the SIGACCESS Newsletter. DOWNLOAD SENSORY OBJECTS PAPER PDF HERE

SIG ACCESS PAGE

SIG ACCESS PAGE

SIGACCESS promotes the professional interests of computing personnel with disabilities and the application of computing and information technology in solving relevant disability problems. It also strives to educate the public to support careers for people with disabilities. The newsletter is read by many people including those interested in the design, development, evaluation, and scientific investigations of technologies to support individuals with disabilities. This includes:

  • Researchers
  • Clinicians and teachers charged with assessing disabilities
  • Rehabilitation personnel who administer assistive technologies
  • Policy makers concerned with equitable access to information technologies for people with disabilities

Sensory Objects In Progress Seminar June 10th

Our seminar was excellent and we want to say a big Thank You! to all who took part you were brilliant. Below shows the events of the day in our easy read programme

Seminar Easy Read Doc

Seminar Easy Read Doc

Miranda Fox from Reading Mencap Coffee Club began the day with an intro to the project with Kate

Miranda from Reading Mencap

Miranda from Reading Mencap

Phil Lucas Head of Reading College LLD/D Dept was also kind enough to say a few words, he mentioned that our project predicted the future, learning ‘through project’ which he felt was very successful and something that Reading College would be doing more of in the future. He was very proud of what the students had achieved and that it had benefited both students and staff.The picture below shows Rachel demonstrating her pig to Phil and Skye using an iPad to show her Wiki

Rachel with Phil Lucas in background

Rachel with Phil Lucas in background

Our Co-researchers demonstrated their sensory objects to the seminar, the picture below shows Gosia helping one of our visitors experience Rachel’s Pig.

Trying Rachel's Pink Pig

Trying Rachel’s Pink Pig

Trying Rachel's Pink Pig close up

Trying Rachel’s Pink Pig close up

 

Sheep cushion

Sheep cushion that goes baa when you stroke it

Sian show Tina from the Art Dept her Wiki

Sian shows Tina from the University of Reading Art Dept her Wiki

 

Andy smiles while photos

Andy smiles while photos

Kate Arnold-Forster Director of MERL talked about the impact of the project on MERL that it had given them ideas for interactive exhibits in the redesign of MERL and also for workshops that have a more open ended creative approach.

The picture in the slide below shows the museum where Sensory Objects will work next at the British Museum from July 2015.

Kate ArnoldForster Director of MERL

Kate ArnoldForster Director of MERL

Special thanks go to our Co-researcher group who came up for the two days from Liverpool. John Taylor and Phillip Ryan from Liverpool Mencap Access to Heritage Group

John & Philip present their research using the Sensory Objects Cookbook

John & Philip present their research using the Sensory Objects Cookbook

John shows Nicola andPhilip shows Gosia sensory Scrap book

John shows Nicola andPhilip shows Gosia sensory Scrap book

John and Philip gave a vivid report of their experiences using our Sensory Activities Cookbook, by demonstrating through slides, fat scrap books and boxes of textures, and their reflections and thoughts of their sensory experiences visiting Sudley House in Liverpool.

Philbox

Gosia and Andy presented ideas about using multi media as away for our co-researchers to reflect.

Gosia & Andy presentation

Gosia & Andy presentation

Andy taking

Andy talking about multimedia advocacy

Nic presented littleBits go LARGE and other workshop tools developed by the project to make technology more accessible or is that make accessible technology?

Nic and littleBits

Nic and littleBits

Trying littleBits

Trying littleBits

Having a go with littleBits

Having a go with littleBits

Nicola Grove gave a talk about the meanings of objects and led a discussion.

Nicola during her talk

Nicola during her talk

Nicola asked for a volunteer to help her discuss what objects mean to different people, she asked John close his eyes and tell us what object he was holding. John gave a great description of the cold feel of a metal key. Nicola asked the audience what a key meant to them, some people said home, but Nicola mentioned that for those of us who don’t have our own key to where we live it would have a different meaning.

Nicola Gives John a Key

Nicola Gives John a Key

Qian Chen our students lecturer finished the day by leading an impromptu sing along of Old Mac Donald! by that time our numbers had swelled to around 80 people as many students arrived from Reading College.

Award Ceremony at the Natural History Museum London 11.06.14

We were invited to the National co-ordinating centre for public engagement (NCCPE) Engage Competition award ceremony at the Natural History Museum London.

Awards Crowd

Awards Crowd

Only three people per project were allowed to go, otherwise we would have invited more of our research group to come along! The picture below shows Nic, Kate and Ajay by a banner showing our co-researchers in Liverpool.

At Award Ceremony

At Award Ceremony

At the ceremony we watched videos from all the finalists projects in the final including Sensory Objects. You can watch the videos here

Sensory Objects were runners up in the Art Design and Culture Award. We were really pleased to be included amongst such great projects. The picture below shows our page in the finalist booklet and a crystal paper weight awarded to all finalists.

Sensory Objects Runnerup Page

Sensory Objects Runnerup Page

After the ceremony we were given afternoon tea see picture below, which we enjoyed very much!

Afternoon tea

Afternoon tea

After the ceremony we were invited to take part in Universities Week Late at the Natural History Museum part of Universities Week, an action-packed evening to explore how research impacts everyday lives. We took part in the Researchers Cafe we had a menu of questions about our research that the public could talk to us about.

These were our questions: How important is it to be able to experience more than our sense of sight in museums?  Which senses trigger your emotions most? How do multisensory experiences improve museum experiences?

We made sure we took some props including Sians Moot and littleBits go LARGE to help our discussion. The picture below shows Nic and Ajay ready at the table.

Nic and Ajay ready to discuss at the Researchers Cafe

Nic and Ajay ready to discuss at the Researchers Cafe

Buckets, Baskets and Boots

On Monday June 9th we held our event Buckets, Baskets and Boots at MERL, it was very successful everyone enjoyed the chance to meet our co-researchers find out what they had been researching and try their sensory objects.

Sensory Object Researchers at MERL event

Sensory Object Researchers at MERL event

The picture below shows Rachel and Sian helping to demonstrate Guillermo’s bucket, it made different farm animal sounds when you dipped your hand in and out some people loved it some found it too LOUD.

Demo of Guillermo's Bucket

Demo of Guillermo’s Bucket

The picture below shows Rachel demonstrating her pig it grunts when you squeeze its nose and ears.

RachelsmilesPinkpigtwo

It was a lovely sunny day at MERL some visitors took the sensory objects outside to try the picture below shows a visitor from Reading College pressing the tractor on Skye’s bucket which played the sound of co-researchers singing Old MacDonald.

Pressing Tractor on Skyes Bucket

Pressing Tractor on Skyes Bucket

Rachel McGowan wasn’t able to come to the Monday event but many people enjoyed her jiggling pig.

Sunglasses and Yellow pig

Sunglasses and Rachel’s Yellow pig

John, Philip, Ticky, June and Gerry came from Liverpool Mencap Access to Heritage Group for the event and tried all the objects, the yellow pig see pic below made John laugh!

John with Rachel's yellow pig

John with Rachel’s yellow pig

The picture below shows Ticky and Philip tryout Lukes bucket, when you drop an egg down the hole it Luke’s voice is triggered saying things like “Hole in One”, “Wheeeeee!” and “Quack”

Ticky and Philip try Luke's Bucket

Ticky and Philip try Luke’s Bucket

Our co-researchers used their Wiki webpages to tell people about their research.

Co-researchers Wikis on smart board

Co-researchers Wikis on smart board

Skye with iPad showing her Wiki

Skye with iPad showing her Wiki

Our co-researchers Rachel and Rumena made smoothies with Robyn that were delicious and made the place smell good too. The pictures below show Robyn and Rachel and Rachel making a smoothie for Gosia.

Robyn and Rachel RachelgiveGosiasmoothie

Our co-researchers and summer students Mia and Kassie helped everyone tryout littleBits

 LITTLEBITS

LITTLEBITS

Sound boxes were demonstrated by our Co-researchers

Soundboxes

and also discover our Wellie boot herb garden.Rachel with herboot

The day was well attended including many from Reading College, Mencap Reading and Liverpool Access to Heritage Group.

Viewing sensoryobjects

Finally the picture below shows a tweet comment about the event!

Twitter comment about event at MERL

Twitter comment about event at MERL

 

Museum and Heritage Show at Olympia 14th & 15th May

Sensory Objects were invited to join UEL on their stall advertising their MA in Heritage Studies at the Museum and Heritage show at Olympia. The image below shows Ajay from the Rix Centre with Sian’s ‘Moot’, it was really enjoyed by visitors to the show.

Ajay at Olympia

Ajay at Olympia

We showed some videos of our research at MERL with our Co-researchers from Reading College LLD/D. The picture below shows Toby Butler who runs the MA from UEL holding Sian’s Moot, Ajay is demoing our sound box and Co-researcher Skye and lecturer Cathy from Reading College appear in the video.

Toby and Ajay with Skye in video

Toby and Ajay with Skye and Cathy in the video

We also took  Lukes ‘blue flag’ bucket. We told lots of people about our research and our events in June. The picture below shows Toby talking to Carolyn from GEM

Olympia with Carolyn from GEM

Olympia with Carolyn from GEM

 

Sensory Objects in Progress Seminar Tuesday 10th June

We are going to have talks and demonstrations about the project on Tuesday 10th of June  the Seminar is part of Universities Week Below is a flyer in easy read version and with more text about the Seminar. Please send an email to k.allen@reading.ac.uk if you would like to attend the seminar its free but places are limited.

Seminar Invite Tuesday 10th June Easy Read

Seminar Invite Tuesday 10th June Easy Read

 

Seminar Flyer

Seminar Flyer Tuesday 10th

Buckets, Baskets and Boots Monday June 9th 2014

We are working towards two events in June part of Universities Week on Monday 9th our Co-researchers from Reading College LLD/D dept will present our research in the Museum of English Rural Life (MERL). Below is the poster for the event, hope you can come!

Buckets Baskets And Boots Flyer

Buckets Baskets And Boots Flyer

International Design for All Foundation Award 2014

This evening Nic was in Paris for the International Design for All Foundation Award and our project Sensory Objects won an International Design for All Foundation Award. The award was given for our research Making Electronics Accessible to People with Learning Disabilities we told them all about the research we are all doing to make the sensory objects workshops more accessible for our Co-Researchers. The picture below shows our award.

International Access for All Design Award

International Access for All Design Award

Testing the Sensory Objects Cookbook at Sudley House Liverpool 07.02.14

This testing session the first of six was a chance for Nic to introduce the Cookbook to a new group, and to introduce Sudley House. The picture below shows our Co-Researchers looking at the Cookbook.

Cookbook Test at Sudley House

Cookbook Test at Sudley House

Stephen Hogg, Angela Green, Gerry Regan and June Jenkins were Sensory Objects Co-Researchers 2012-13 at Speke Hall Liverpool. We asked them along with Ticky Lowe and Nic Hollinworth to meet and introduce John, Keith and Pauline and support worker Anita from Stockbridge Day Centre to the Sensory Objects project Cookbook. John, Keith, Pauline and Anita are new to the project and we wanted to show them the Cookbook and see if they found it easy to use as a guide to planning sensory activities at a new venue. Led by Ticky we explored Sudley House focusing on and recording textures of  actual objects, costume and objects in paintings.

Sudley Hall Textures

Sudley Hall Textures

Then back in the workshop room we used Ticky’s collection of fabrics to choose textures like the ones we found in the house to make a “textural” record of our visit. For the next sessions Anita will be using the cookbook to plan and deliver workshops at Sudley House herself. Ticky’s role will be to document the sessions and find out how Anita finds using the cookbook to plan and deliver the sessions. 

MERL Whats On Guide

The Sensory Objects Project features in the latest MERL Whats On Guide

merl page of newsletter

merl page of newsletter

The picture above shows a page of the MERL newsletter featuring our Co-Researcher from Reading College Sian showing her Old Mac Donald’s wellie boot. The article tells about our SHOWCASE EVENT to be held at MERL on June 9th our Co-Researchers will be presenting their research to the public that day. The next day JUNE 10th we will be holding a SEMINAR and our Co- Researchers will present their research to curators, museum workers, academics, caseworkers etc.

Sensory Objects Project has been selected as a Good Practice in the International Design for All Foundation Awards 2014.

Good_Practice_logo

Good Practice logo

Making Electronics Accessible to People with Learning Disabilities Category: Project proposals, initiatives, methodologies and studies has been selected as a Good Practice in the International Design for All Foundation Awards 2014

Summer Activities Cookbook and Extra Sensory Objects

sowordle

sowordle

Over the summer the Sensory Objects team have been compiling a CookBook of Sensory Activities see more here

We have also been developing tools to use with our Co-Researchers during workshops find out more Extra Sensory Objects here

 

Sensory Stories Retold Seminar May 7th Museum Of Liverpool

Pictures below document the Sensory Stories Retold Seminar at the Museum of Liverpool May 7th 2013

This picture shows Marcus Weisen during his presentation

Sensory Stories Retold Presentation

Sensory Stories Retold Presentation

Picture below shows Co-researcher Chris demonstrating his box to seminar delegates

Chris demos his box

Chris demos his box

Picture below shows Co-researcher Elle demonstrates her Speke Hall box to some seminar delegates

Elle demonstrates her box

Elle demonstrates her box

The picture below shows seminar delgates trying Squishy Circuit workshop

Seminar delegates trying out squishy circuits workshop

Seminar delegates trying out squishy circuits workshop

Picture below shows Paul demonstrating the talking book of Speke Hall

Paul shows talking picture book

Paul shows talking picture book

Picture below shows Andy during his presentation

Andy's presentation

Andy’s presentation

The picture below shows Nic during his presentation

Nic giving his presentation

Nic giving his presentation

Kate and Chris during their presentation in picture below

Kate and Chris during presentation

Kate and Chris during presentation

The picture below show Tick and Ross during their presentation

Ticky and Ross during presentation

Ticky and Ross during presentation

Picture below shows delegates experiencing Touch Pods

Delegates try Touch Pods

Delegates try Touch Pods

The picture below shows Marcus Weisen leading final seminar discussion

Sensory Stories Retold Seminar Audience

Sensory Stories Retold Seminar Audience

 

 

‘Sensory Stories Retold’ Seminar on May 7th

The Project team will be presenting demonstrations, talking about our work and running a workshop at the Museum of Liverpool on 7th May 2013.

Easy Read Flyer

Here is info about the Event in easy read

• The Sensory Stories Retold seminar will showcase the first year of the project, which was based at Speke Hall, a National Trust house in Liverpool. The research team will present their work with interactive demonstrations of their sensory objects and a hands-on workshop for attendees to try making their own.
• The day will feature a discussion led by Marcus Weisen (Jodi Mattes Trust), and a presentation by Ticky Lowe (Access to Heritage) about the Jodi Award Winning Touch Pods project.
• The event provides an opportunity to discuss and explore museum and heritage engagement, the potential of sensory art-based workshops, the use of electronics in museum interpretation, and multimedia advocacy.

Sensory Stories Research Event at Speke Hall March 21st

Liverpool Echo Sensory Stories at Speke Hall

Liverpool Echo Sensory Stories at Speke Hall

We held a very enjoyable, well attended show and tell event at Speke Hall where we presented our research so far into interactive sensory objects. Researchers discussed the sensory boxes in the Great Hall giving the public the chance to find out about our research.

Group shot Speke

Members of the public were given the chance to tryout the different interactive boxes and other sensory experiements. The Co-Reasearchers showed their sensory boxes to the public.Group boxes

Angela Points Steve with box Elle We also held a Squishy Circuit workshop in Speke Hall Kitchen to make cakes for afternoon tea decorated with LED’s.These pictures below show some of the public trying out the boxes.

listening to elle's sensory boxListening to Patricks box

Elle tries speaking cushion

Elle tries speaking cushion

These pictures show Elle demonstrating the strokable speaking cushion and a member of the public exploring the interactive loaf of bread.
Loaf of bread
We had alot of interesting feedback and visitors were given a biscuit designed during an earlier workshop by Co-Researchers Chris Griffiths and Terry. We commissioned 100 to be made to their design by the Liverpool Cake Fairy they disappeared quickly and were delicious.

Speke BiscuitsIn this video below Co-Researcher Paul Lorde is shown with his sensory box, you can hear sounds he recorded from Speke Hall and see the electronics that trigger the sounds. Paul spent the afternoon in the Great Hall showing his research to the public and he sums up the day.

This video below shows pupils from Elle’s school The Royal School for the Blind trying out the strokable cushion which triggers stories about the people that used to live in Speke Hall. We didn’t expect more than one person to use the cushionat once, really enjoying this interaction.

The video below shows Co-Researcher Patrick Cowley with Researcher Ticky Lowe  demonstrating to members of the public his sensory box which gives a sensory experience of his favourte room in Speke Hall the Billiard Room. His box also shows a camera with and a flash light triggered by a proximity sensor inside the box. So when you peer in it flashes. Patrick also had placed the smell of sherry he notice on a side board in the room. The box has photographs taken by him on the outside.

Sensory Objects Flyer Thursday 21st March

Sensory Objects flyer 21st March

Sensory Objects flyer 21st March

This is the poster for our Sensory Stories day at Speke Hall on Thursday 21st March from 12.30 – 3.00pm. We are inviting you to come and see our reserach into Interactive Sensory Objects.

Access to Heritage Forum Workshop One 2012

We had the first interactive sensory workshop today with the Access to Heritage Forum at the Museum of Liverpool.20120526-112955.jpg

The day went really well it was great to meet everyone and discuss how we will work together on the research project as participative researchers and how the group may document vists and workshops with various cameras we tried out in the workshop. 

Some of the group had worked on the Sensory Trail at Speke hall, we talked about the objects and workshops from then. We started by wondering what interactive sensory objects could be. We looked at some everyday objects exploring how we use them and what was the effect of using them. 20120526-113536.jpg

The objects included a fan, a feather boa, some gloves with rubbery bits on them, a hat made from bubble wrap, bicycle horns, violet sweets, a bright green polishing mit, a bar of soap, brushes, a jar of lemon zest. The group explored each object and what associations they made from the various tastes smells and sounds. We thought about how all these objects are in some way interactive, physical…then nick demonstrated an object that used electronics to make interactions. We thought about the differences and similarities of the objects. Nic demonstrated a Bend sensor which made a smiley face smile.

Then the group tested some cameras to discover how easy they were to use and what aids could be made to make documenting the research and become more accessible.

The group gave us an insight into the problems they experience using cameras we wrote their thougts on colour stars on the cameras.

K liked the sound of the Polaroid camera this was felt to be important for those with visual impairment it made it clear when and how many pictures had been taken.

D felt it was important that the Polaroid gave an instant physical result.

P L found the camera too bulky and hard to hold.

The Nikon cool pics camera was liked by the group the camera has a touch screen you can swipe through the images in a similar way to an iPad.

P had a lot of comments about it he liked it because it has one button for video and one for stills  P also liked the strap as he was worried about dropping some of the equipment.

A liked the Sony cyber shot because it only had 2 buttons.

Most of the group liked using the iPad to take photos although some found it difficult to which button to press. 20120526-113634.jpg

They all enjoyed viewing images on the ipad, it’s big screen and scrolling through the images.

The group found the Sony video camera had too many buttons?

A found the Kodak Flip camera  easy to use with its big button but she and E found it hard to review the footage.

We discussed ways we could attach the Drift helmet camera to L’s wheelchair, she enjoyed having the camera held at her eye level by the clamp, and being able to see the screen but it was a bit small. 20120526-113059.jpg

Drift camera on wheel chair 2

Images taken by the Drift wheel chair mounted cameraImage taken from Wheelchair mounted cameraImage taken from Wheelchair mounted camera2Image taken from Wheelchair mounted camera4Image taken from Wheelchair mounted camera5Image taken from Wheelchair mounted camera6

We discussed recording the sound of the poloroid so it could be used as sound on an iPad. We also discussed using a mini printer to have instant digital pics. Nick will make a holder for P to be able to hold the camera with one hand.

Some Additional Thoughts

A summary of the demonstration of sensors at the first Liverpool Museum workshop. Thoughts collectively by Nic and Faustina.

We used only a limited number of sensors to demonstrate some of the things that can be done to bring about changes in sound and visual displays. The intention in this workshop was just to introduce the idea of sensors to participants, and let them ‘play’ with these unfamiliar objects, and see what they do, as it is unlikely they will have come across anything like this before.

Bend sensor

This was limited to making a smiley face smile (or not) by flexing a strip of plastic. Bend it into a ‘U’ shape and the face smiles, but when straight it is neutral. But some participants used the sensor in unexpected ways:

  • shaking it, by holding one end
  • tapping on the table, by holding one end
  • using it with one hand and bending it against the body
  • twisting it lengthways
  • flexing it in both directions

Perhaps we could extend the range of possibilities of the sensor by allowing for these different ways of using it? One thing that was missing from this sensor was texture – it is currently plain plastic, and smooth to the touch.

Touch sensor

Although the touch sensor was easy to use (didn’t require any explanation other than ‘touch here’) … most people touched it multiple times, or tapped it, and often didn’t notice the change in sound. Part of this might have been because of the volume of background noise (making the sound difficult to hear) and perhaps also because the sounds were changes in instrument.

One or two people ‘stroked’ the touch sensor, which I thought would be a nice modification for the next session. Rather than just touch on/off, a surface which responds to touching, stroking – different forms of stroking behaviour?

Blowing

Not many people tried this as they were distracted by other things (taking pictures). The few who did try this out did not notice the effect of blowing. This might have been because the screen was hard to see, or perhaps also because of the action required, and the resulting animation. I don’t know. It needs a more obvious cue .. perhaps a ‘thing’ to blow into?

A few additional bits … (Nic’s observations)

These are the notes I made when we were collecting the feedback from the participants. Some of the observations will overlap with those above.

Polaroid

People generally liked the sounds made when pressing the button (although it was in a position that made it difficult to use), as it helped to know when you had taken a picture. Having the picture appear right away, and a physical object to handle was liked by most people, though the weight of the camera was a worry – concern about dropping it.

iPad

Generally liked, though a bit big and also concern about dropping it. Liked the big screen, and found the buttons okay, but some people found the capture button difficult to locate.

Sony

Awkward to use and too small. Buttons difficult to use, particularly when using just one hand. On a more positive note, liked the fact it only had two buttons.

Nikon

Easy to use, and easy to watch the videos and find the photos that had been taken, though  I didn’t get a good idea of why this was favoured. Liked being able to take pictures by touching screen. (Need more information here.)

Kodak

Simple to take pictures, but other functions were not. Difficult to figure out how to turn on. Hard to find pictures and review videos. Buttons too small.